Wednesday, June 16, 2010

Learn How to Sail

Sailing is a popular and fun activity for any body

The great thing about learning to sail, especially in the UK, is that the coast is so close to us. We are never too far from a sailing adventure! Leaving the land behind us and disappearing into the ocean on a yacht is less of a dream than you may think.

People of all ages are learning to sail. There is no age limit and children as young as 5 can help crew a yacht. Most sailing only requires a small amount of physical strength, meaning it can easily become a passion enjoyed by everybody.

Leaning to sail doesn't have to be expensive. Don't rush out and buy the most expensive clothing and equipment. For your first few times on the water you can borrow or rent anything you may need. Invest in the sport once you've started to sail regularly.

People with disabilities, such as vision impairment, can sail without restriction. Wheelchair users can still participate in the sport but should be more careful in their selection of sailing vessel.

Learning to sail is a wonderful experience and a hobby which will bring you hours of enjoyment. It's not a hard sport to conquer but the potential hazards you'll encounter mean safety is key. We've put together this guide to help you when learning to sail.

Where To Begin?

Contact your local sailing club and offer your services as a novice crew.

Or teach yourself the basics with books or on the internet, and then contact a sailing club.

Book yourself onto a sailing course - these normally last a weekend, although holiday sailing courses can be up to 2 weeks.

You'll find sailing centres anywhere on the coast of the UK, but the heart of sailing has to be the Southampton coast. With its many harbours and exciting sailing around the Isle of Wight, it's an excellent place to learn to sail.

Sailing on the UK coast starts around April and usually finishes in September. Mediterranean sailing lasts a little longer. Look to the Canaries or the Caribbean for winter sailing. You can sail a dinghy in the UK all year round.

Be Safe

Safety on the water is the most important factor to consider when learning to sail.

Avoid crowded harbours and peak hours. Having to keep a safe distance from other vessels will only distract you.

To begin with, go out in low winds. There is no point in sailing for speed straight away. Ensure you can walk before you can run!

Always run through a safety drill before you leave dock.

The chances are you'll learn to sail in a small boat or one with a light boom. Learning to control the boom is essential for smooth sailing and safety.

Swimming

It may sound like simple advice, but if you're going on the water you need to be able to swim. Even the most experienced sailor will find themselves in the water at some point. Being a competent swimmer will ensure you stay calm in a potentially harmful situation.

Vital Equipment

You'll need the following items when learning to sail:

A good set of boat shoes A life jacket or buoyancy aid Signal equipment Brightly coloured clothing suitable for current weather conditions A high factor sun cream

Whatever adventure you're looking for, sailing can offer it. Now you know where to start, just go ahead and do it! We can assure you, you'll never look back.

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Monday, June 14, 2010

Men's Footwear Trends For Spring Summer 2009

Slip-ons: The casual slip-ons are going to be favorite of all. Being casual doesn't bring the tag 'sloppy' to them. They are in fact stylish. And this Spring and Summer, they'll be liked most in the shades of cream and light brown. Some of them are perforated so that your feet remain cool in the hot weather. They can well be worn with jeans, shorts or casual pants.

Leather Loafers: The classic and simple loafers will be available in classic colors like black, brown, white and tan. They go well with 'not so formal' dresses.

Suede Shoes: Widely known to be winter material, suede in its cool version is there for spring summer footwear too. They are used for practically any style- slip- ons, loafers or boat shoes. Shades like tan, black, brown and mustard as well as non conventional ones like yellow are there for all. The adventurous guys can try non conventional shades with light neutrals or denim.

Improvised Boat Shoes: The conventional boat shoes will now be seen in an improved avatar. These casual slip ons can be seen without laces and the upper part made of suede or leather. Available in almost all colors such as red, brownish- yellow, or black, they look great with shorts, jeans or khakis.

Formal Dress Shoes: Men can not escape formal wear any way. So the evergreen dress shoes also can't go anywhere. They look awesome with light colored suits and dress pants. Shining blacks, browns, light gray, all's there to choose from.

Other Details: Elongated Shoes will continue to dominate the market. Oxford shoes, slip-ons or summer boots- they can all be found in elongated style. Desert boots will also be there in natural, sandy shades. The indispensable sneaker can be found in bright colors, some of them having color blocking and graphic-art prints.

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Sunday, June 13, 2010

6 Epic Breakdowns Part 3

*WARNING: CONTAINS STROBE LIKE FLASHES** This is a collection of 6 meticulously picked breakdowns and is part 3 of this series. Intro - White Chapel - Of Legions 1. Texas in July - Hook, Line, and Sinner 2. Here Comes the Kraken - Don't Fail Me Darko 3. For Today - Agape 4. Despised Icon - Quarantine 5. Miss May I - Architect 6. August Burns Red - Composure Outro - Rose Funeral - Gods Hideous Creation DISCLAIMER: I DO NOT intend to infringe any band/record label's copyright with this video, I see this video as a form of free promotion for both the band and the label. Ignore this tactic to get more views: suicide silence Revelations (Intro) Unanswered Hands of a Killer Price of Beauty Fallen, The No Pity For a Coward Disease, The Bludgeoned to Death Girl of Glass In a Photograph Eyes Sewn Shut Green Monster Destruction of a Statue my bitter end Intro Stop, Drop And Roll Bitch Neck First May My Wrist Match My Heart 666 0 = Hells Nice This Time Of Year Bury It All Smell Of Dead Hookers In August, The Letting Go A Thin Line Between Heaven And Here Go Go Gorilla NutsIt's Time Becoming Misfortune To All Things Expendable Salvage the Structure Suburbs Breed Showmen, The Comfortable With Corpses Renovation, The Finding Level Ground Subtleties -(instrumental) Dirt Helmet Proper Sendoff, A as blood runs black Intro In Dying Days My Fears Have Become Phobias Hester Prynne Pouring Reign The Brighter Side Of Suffering A Beautiful Mistake Strife (Chug Chug)Beneath The Surface Legends ...

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Saturday, June 12, 2010

Sailing and Understanding Sails

Efficient Sailing

Sails today are very different from their ancestors in the period before the polyester revolution. Shape has always been the most important factor in sail efficiency, and time was when you chose your most suitable canvas for the conditions, pulled it up and sheeted it in. Some cruising sails are still made like this. They work well enough, but the cloth from which they are cut often means that their performance potential is nowhere near that of a modern sail whose geometry can be modified to suit the wind and sea. Such equipment has worked its way into cruisers following the lead set by racing yachts, whose hi-tech vanguard have now moved on to cloths of such sophistication and stability that the shape cut into their sails is barely compromised until they literally burst.

The maximum camber of a sail should be somewhat forward of the middle of its cross-section. In practice this varies to a degree with what sort of sail it is and how hard the wind is blowing. The power of an aerofoil depends upon its depth of curvature, so a baggy sail will drive you along in light airs far more effectively than a flat one. As the breeze hardens, the power of the fullcut sail will become too great for the boat. It must then be flattened or reefed, if either is possible; or changed for a different sail if not.

This requirement is underlined by the fact that as the wind increases, a sail naturally becomes fuller and the point of maximum camber is blown aft towards the leech. Both these results are the opposite of what is desirable, and something must be done to mitigate them.

In addition to the question of camber control, there is also the matter of twist. Most sails twist away from the wind in their upper sections. This tendency is built into them deliberately and can be controlled so that it works to your advantage.

Twist is a shut book to many sailors, but to ignore it will measurably compromise your boat speed. The reason for its importance is this: wind blows more strongly aloft than near the deck, because surface friction with the sea slows it down. When a boat sails along, the wind she actually experiences is a composite known as apparent wind. She may be powered by a true wind from abeam, but she is making a ghost breeze from dead ahead in an equal and opposite direction to her own progress through the flowing air. This phantom combines with the true wind to generate the actual breeze across the sails. The apparent wind which they form comes from further ahead and is stronger than the true wind, so long as it is not blowing from well abaft the beam.

Clearly, the faster the true wind for a given boat speed, the less will be the interference caused by the boat's movement. Because the true wind aloft is a little stronger than at deck level, the apparent wind up there is somewhat more `free' than the air lower down. If the upper part of the sail can be twisted to take advantage of this, its resultant force will produce a larger forward component than that being delivered by the lower section of the same area of canvas.

Furthermore, the whole of the sail will be setting cleanly, with no part either lifting or stalling.
In the case of a fractional rig, the upper section of the mainsail cuts undisturbed air, while the lower parts receive their wind already bent further aft by the headsails. Twist control is vital if the top of the sail is not to be stalled completely.

Too much twist can generate a fearsome loss of power if it is allowed to go unchecked while you are reaching on a windy day. The boom kicks up in disgust, while the upper third of the mainsail dumps its air unceremoniously to leeward over its tortured leech.

Shaping the headsails

In most boats, the primary tool for headsail camber control is the halyard winch. Some traditional craft are equally well served by a tack downhaul, but whatever method is employed, the crucial feature of the sail at any given time is its luff tension.

Hoist the sail, then steer the boat on, or nearly on a closehauled heading. Now look up at the mid-part of the sail. If it has a 'go-fast stripe' your task is made easier. If not, you'll have to judge its shape by looking at the seams. The camber should swell out to a maximum 35-40% of the way aft from the luff. If it is too far aft, tension up the halyard and watch the draught move forward. If the luff is too `hard' (ie, the camber is too far forward), slack away a few inches and keep looking.

If the sail seems susceptible to this treatment, check it again once your boat speed has built up. The apparent wind will now be greater and the sail may require some adjustment. It's important to do this with your fully open roller reefing genoa as well as a hanked-on sail.

As the wind picks up, keep hardening the luff until your efforts to maintain a good camber become fruitless. The sail should now be overpowering the boat if the sailmaker and the designer got their sums right. Change it for a smaller one, which should also be flatter cut, or roll some away.

The converse of keeping your sails reasonably flat as the wind hardens is that a sail can sometimes be set up to be too shallow-cambered. It will then lack the power to drive the boat in light airs. If the sail seems lifeless, ease the halyard, and the sheet too if necessary, so as to power up the canvas.

Attention to the luff of the sail may cause the leech to require service. The leechline, if fitted, is a light piece of small stuff sewn into the trailing edge of the sail. It should be gently 'tweaked' just far enough to stop the leech beating, and no further. Too much tension causes a hooked leech, which is hateful to behold. If the leech is already hooked, slack away the line as far as the sail will let you.

The twist of a headsail is determined mainly by the position of the sheet leads. Most boats have these on sliders. If yours doesn't, the sail must be cut to the position of the fixed leads.
Sheet-lead positions are crucial. When the helmsman brings the sail a little too close to the wind from closehauled or a close reach, the luff should lift evenly all the way up. If the bottom of the luff lifts first, the lead is too far forward, making the leech too tight so that the sail is not twisting enough. If the top goes first there is too much twist, caused by the lead being too far aft. The best position can only be found by experiment, but luff 'tell-tales' are a tremendous help. If you don't have any, install them now. All you need are three 8 in (20 cm) lengths of wool pushed through the sail with a sail needle, about 6 in (15 cm) abaft the tuff (in a 35-footer) and knotted on both sides. The windward ones will always flick up just before the sail lifts. If the leeward ones go dancing they tell you without room for argument that the sail has stalled either from oversheeting on a reach, or because the person steering the boat to windward is driving her to leeward of her best course.

Shaping the mainsails

As in a headsail, mainsail camber is largely controlled by luff tension. However, sails on boats with any pretension to performance generally also offer a clew outhaul. The effects of this will extend approximately to the lower third of the sail. Haul it out to flatten the sail as the breeze fills in.
A mainsail that is set behind a genoa will emphatically not require a hard entry. Such a form will often result in the backwinding of the main luff when the boat is closehauled. Instead, a gentle curve aft to a maximum camber virtually in the centre of the sail will work well if the boat is masthead rigged. The more powerful sail of a fractional rigger should carry its maximum camber somewhat further forward, but still with a flat, gentle entry.

Mainsail twist is highly controllable on a modern yacht. Leech tension, the essential element, is determined by the mainsheet when closehauled. With the kicking strap (or kicker, or centre boom vang) let off, juggle the sheet tension until the top batten of the sail lines up with the boom when viewed from directly underneath. There is no need to lie in the bottom of the cockpit, a glance will suffice.

Once you have the twist you are after - and if the sails are well cut, the leech of the main will now sweetly follow that of a well-trimmed genoa - the mainsail's angle of attack can be determined by using the mainsheet traveller, so long as the wind is well forward of the beam. This means in practice that when you are beating or close-reaching you shape the sail with halyard, outhaul and sheet, then trim it with the traveller. If you are far enough off the wind to want to ease the sheet, set up the kicker to maintain leech tension when the sheet can no longer supply it.

On a race boat, the powerful kicker may be brought into service even closehauled to help flatten the sail. Such fine tuning is a waste of effort on most cruising mainsails, but the basics should never be neglected. I've heard people complain along the lines of `All this sail shape nonsense is for the boy racers. Who cares about Y knot?' I do, for one. At 6 knots it is worth 6 miles over 24 hours. To be an hour later than you might have been could lose you a tide, resulting in a further three hours' delay. It may also be the last straw for a fatigued crew, causing a fatally bad decision in the face of a rising gale which you would otherwise have missed. Or you might merely get in after the shops have closed.

Whatever the result, not to give your boat her best chance to perform well is unseamanlike. You don't have to thrash a boat to extract that extra Y knot, yet carried to its logical conclusion, 6 miles lost in a 24-hour passage is the best part of two days wasted on the average ocean crossing, though in fairness I have met people who don't press on because they seem to like it out there.

Sail combinations

Una-rigged craft often sail excellently. A single, well-shaped aerofoil set from a lightly stayed or unstayed mast can be shaped with great precision and can be remarkably closewinded. Two notable examples of the truth of this are the Finn dinghy and the North American cat boat. As yachts become larger, a single sail becomes a worse proposition for reasons of handling and of shipping a spar of sufficient proportions to carry it. From time immemorial, therefore, sail plans have been divided.

In addition to the benefits above, split rigs offer two further advantages. Because individual sails are set forward and abaft the centre of lateral resistance (CLR) about which the boat effectively pivots, they can be sheeted so as to balance her steering characteristics. At speeds too low for the rudder to be useful, the sails can even be used to persuade the vessel to point where you want her to go. Secondly, the slot between two sails produces a venturi effect, accelerating the air which is squeezed through it. This raised velocity increases the power not only of the rig as a whole but also of its individual components. Those who doubt that this is happening have only to stand in the slot of a yacht sailing to windward in 15 knots of breeze. Tell them to hang on to their hats, though. It's breezier in there than they'd ever have believed back in the cockpit.
As skipper, you have the balance of the boat's rig at your fingertips, and assuming that she is well designed, there is plenty you can do about it. The yacht should be easy and light to steer, showing a gentle tendency to turn into the wind if left to her own devices. If she has too much mainsail on and only a small jib, a sloop will want to round up. The result is weather helm. This tires the unfortunate who must steer, as well as slowing the vessel down through the drag of the rudder. The dreaded lee helm, on the other hand, is the lot of the sailor whose boat is carrying too much canvas forward and too little aft.

Lee helm is a dismal condition. It makes manoeuvring difficult, steering frustrating, and it has a debilitating effect on the yacht's capacity to sail close to the wind without making excessive leeway. A touch of weather helm holds the rudder a degree or two to leeward, which diverts the flowing water, just enough to help the keel lift the vessel in opposition to the sideways forces. Lee helm achieves the converse effect.

Hull balance

In addition to the disposition of her sail plan, a yacht's helm balance varies depending on how much she is heeling. As she heels to leeward, any tendency to weather helm will increase. Rolling to windward generates lee helm. This makes sense when you consider that the whole outfit is being pulled along by the rig. As the boat heels, the centre of effort of the mast and sails moves outboard. If you dragged the boat through the water by a rope on the end of a beam lashed athwartships across her deck, she would try to swing away from that side. The same thing happens with the rig.

Boats with flat, beamy midships sections such as are found in many high-performance modern cruisers and racers suffer from a more subtle source of heel induced weather helm. As they lean over, the leeward side of the immersed hull becomes rounded to a point of exaggeration. The weather side is correspondingly flattened. The imbalance produces weather helm which, in certain cases, appears suddenly and uncontrollably above a critical angle of heel. You need to watch out for this in such a vessel, particularly if you are sailing in a river on a gusty day, surrounded by expensive moored yachts.

Shortening sail

Shortening sail as the wind strengthens is part of the sailor's everyday life. It is not something to be put off. The process should be as natural as shifting gears in the family car. Not only does carrying the right canvas for the conditions give you a drier ride and increase your chances of arriving with the boat in one piece, it keeps the yacht more upright. As we have just discussed, the less a boat is heeling, the easier she will be on the helm. This benefit is assisted by the fact that the centre of effort of a smaller headsail or a reefed genoa is further forward than that of a larger one. Similarly, a reef in the mainsail moves the leech inboard along the boom. The sails are therefore generating less weather helm than if the yacht were spreading everything she carried. With a sensible awareness of the principles of sail balance in your mind, it isn't difficult to reduce your canvas in such a way that the boat's behaviour remains docile.

It would be unwise to generalise about where to begin sail reductions. A masthead cruising sloop will usually set out by tying one reef into the mainsail. This may be followed by one or two changes of headsail before going for the second reef, and so on. A fractional-rigger often reduces the size of her headsail first. A ketch or yawl has a mizzen to consider as well, but the principles remain the same.

The years since the mid-1970s have seen the rapid rise and general acceptance of patent reefing systems. The best of those offered for headsail roller reefing have by now achieved high reliability and are able to reef the sail to a moderate degree without too much sacrifice in shape. Poorer gears produce a dismally reefed sail which looks more like a flour bag than a number 3 genoa. With the canvas rolled away to storm jib size the result is execrable. None the less, all such arrangements give the benefit of instant sail area adjustment. In a short-handed craft this sometimes more than compensates for what is lost in pure performance. No boat must go to sea, however, without making at least some arrangements for the day when the gear fails. The most satisfactory answer is a separate forestay that can be readily set up and to which a storm jib may be handed. Indeed, this produces the best of all worlds because such a jib will invariably set better than the deeply rolled genoa. It can therefore be used routinely for heavy weather sailing.
Mainsail reefing systems now exist which are way in advance of the old 'round-the-boom' roller reefing. Such a method was never ideal on the bermudan rig, though it remained in use for decades. By far the simplest and best way to reef the main is with `slab' reefing, but if you cannot bring yourself to make even that much effort, in-mast and in-boom systems can be bought off the shelf. In-mast gears put considerable weight aloft and add to the awful sum of the rig's windage. They may or may not be reliable, and a sail built for such a setup will probably have a straight leech with no battens. On a contemporary rig this looks downright sad and it's certainly less powerful than the elliptical trailing edge of the conventional mainsail. The Spitfire didn't have those beautiful wings just to look pretty.

Mainsail reefing options therefore subdivide into three choices: in-mast roller, inboom or round-boom roller, and traditional gear for reducing the sail in `slabs' at the foot. Of the three, slab produces by far the best sail shape; it's extremely reliable and, in any case, is readily repaired at sea. Mainsails of under 500 sq ft (46 sq m) are easily handled by two healthy adults and can be dealt with singlehanded without major inconvenience. To compromise this vital sail out of laziness or lack of stomach for getting wet seems odd to me, especially when the latest fully battened mainsails and lazy-jack systems make the job of stowing child's play.

Nonetheless, the roller alternatives do have a place. They help huge yachts to be run without numerous deck-hands. They also enable the elderly or the unfit to keep on enjoying their cruising, but if these options are to be chosen, it's important to be aware of their limitations in sail shape and, potentially, their unreliability. At least an in-boom reefing system is within reach in the event of failure. Furthermore, the mainsail has a conventional halyard and can always be dropped. Although in-mast systems have improved greatly, they still represent a total commitment to the dependability of the gear. A trip to the masthead in a gale holds little appeal for any of us.

Cruising chutes

Today's Bermudan-rigged yachts have much in their favour, but sailing downwind in light and moderate going is not one of them. Ideally, this endemic shortfall is cured by using a spinnaker, but this lies beyond the comfort zone of many cruising sailors. The answer is a `cruising chute'. This has been developed from the modern asymmetric racing spinnaker and is really a light, extra-full genoa that only attaches at tack, head and clew. It works in airs too gentle for a multi-purpose genoa, and can be set on a very broad reach without a pole. Sailmakers will deliver them complete with a `snuffer' - a sort of sleeve which rolls down over the sail, spilling its wind miraculously. This removes the worry from using so powerful a tool. In short, a downwind passage in light weather without a chute is like the proverbial day without sunshine.

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Thursday, June 10, 2010

Janet Kuypers book "Clay" Pacific Ocean/Galapapagos Islands

Janet Kuypers reads the original poem "Clay", which mentions water (somehow), over a boat riding in the Pacific Ocean in the end of December 2007. Actually, this video footage was shot while traveling among the Galapagos Islands, where Kuypers thought the background was a serene setting for reaing poetry. For more information on the writing of Janet Kuypers (or artwork, including photography form the Galapagos Islands), go to www.janetkuypers.com to read more of her work. This is the original prose piece Clay so I was at this bar, on the coast of florida -- the west coast, the gulf side, you know. it was this place called lana kai, and my friend gave me a ride all the way from naples, which is a good forty-five minutes south of the place. and so we were sitting there at the bar, which is half indoors and half on the beach, and all these old men kept staring at my friend's chest. a couple guys bought us beer and one guy asked me to dance. I was surprised he asked me to dance, and not my friend -- men were usually more attracted to her. but the guys were jerks anyway -- one looked like a marine with that haircut and must have been high on something, one looked like he decided to forgo hygiene, another was twice my age. it's not as if I try to pick up men in bars anyway. so after a while I couldn't stand being at the bar, next to the reggae band that was playing (I never really liked reggae music anyway, I mean, it's too slow to dance to), so I begged my friend to come walk ...

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Wednesday, June 9, 2010

The Mack 'N Biz - Leerjets - Skateboards and Boatshoes Mixtape

Artist: The Mack 'N Biz Song: Leerjets Mixtape: Skateboards and Boatshoes Contact: Website: www.themacknbiz.com Email: TheMackNBiz@gmail.com Youtube: www.youtube.com/TheMackNBiz Facebook: www.facebook.com/TheMackNBiz Myspace: www.myspace.com/TheMackNBiz Download Mixtape at: www.purevolume.com/TheMackNBiz

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Tuesday, June 8, 2010

Great Price Timberland 74035 for $71.15

Men's Timberland Classic Two Eye Boat Shoes BROWN 13 W Review





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